At first, it has a strong smell of gasoline, in which flower petals are drowning in thick, oily-inky shades. With every breath, I sense pungent, slightly wine-like fumes of fuel spilled at a gas station, as well as the exhaust of loudly puffing SUVs. The mimosa here has heavy leathery overtones with powdery, honeyed, and damp-green accents; the violet lies in the same olfactory spectrum, almost indistinguishable from the mimosa — dense, crumpled, hostile, with tannic, cheesy, manure-animalic notes (as if Love In Black was ruined with an overdose of mushroomy, dirty oud).
In the background, there’s an unpleasant hum, reminiscent of both a stuck vinyl record and the metallic screech of an electric guitar through an amplifier. The harmonics of the fragrance are so fast and loud they seem almost herbal. It immediately brings to mind the fiercely hissing cypress in Gucci Guilty Absolute, as well as the dark accord of rotting fur in another Byredo creation, M/Mink.